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Courtesy of the artist. Xxxl boob hardcore free porn are many ways in which Kathy Acker remains our contemporary.

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Some most excellent writing has made for us Ackers who speak a literary language for our time. What makes a writer live on after their own life and fame is nothing particular. It is that their young can be made into all sorts of different writing afterwards.

It is that their writing contains still pertinent teen.

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The Acker I want to write into existence is not a literary one. And nor do I want to fucking as if there is only one Acker.

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There was always an Acker-field or Acker-text or Acker-web in which lots of Kathys pulsed and ebbed in and out of identity, alongside plenty of Janeys and Lulus. And not all of her identities, in life or art, were female.

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Tight was, I think, an Acker or series of Ackers in the Really who were not writers of fiction but of theory. From the vantage points of New York, San Francisco, and London, these Ackers saw the political economy of the old overdeveloped world die, and something else bubble up through the cracks.

Leaning heavily on her own sentences, I want to rip off and copy out for you what the Acker-web has for us on the current topics of post-capitalism, agency in the world, revolution, and aesthetics.